![]() Can be used on individual tracks to tame transients or shape tone just like a traditional compressor. Use on sub-auxiliary tracks to achieve higher RMS values before even hitting the master bus. Practical applications: Pre-mastering if used properly and mastering. Alter the threshold to bring the lower amplitude of the dynamic range closer to the top, allowing one to reach professional-level RMS without understanding professional-level mixing skills. Set the ceiling, and your signal will never go above it. Learn how to mix before simply applying a brickwall limiter to the master bus of all your productions.Īlthough arguably the catalyst for the Loudness War, which stripped certain popular music of dynamics for over a decade, brickwall limiting certainly has its place in music production, live sound reinforcement and broadcast. Recommended plugins: Softube FET compressor, Waves C1 Compressor with Sidechain 3. Practical applications: Really anything with prominent, fast transients but especially effective on snare drum and vocals. Lookahead compression can be achieved with a standard compressor by duplicating the signal onto another track in your DAW, moving the audio back in time, placing a compressor on the original signal, and using the duplicated audio as the sidechain input. Lookahead compression essentially analyzes an input signal and applies compression before the signal is audible, allowing one to tame transients in a unique way. Recommended plugins: FabFilter Pro-MB, iZotope Ozone 6, Waves 元-LL Multimaximizer 2. Practical applications: Master bus for clearing up problem areas like low-mid buildup, or on lead vocals to tame harshness in the 5-10k range. Simply choose a frequency range, and then set threshold, attack and release like you would on a normal compressor. Want to tame the beater of a kick drum without altering the low end? No problem. ![]() Multiband compression allows one to affect the dynamic range of multiple frequency ranges independently of one another. Here’s information on some of the ways that you can use the many different types of compression to enhance your productions. It’s no secret that dynamic range compression is one of the most important and versatile tools to an audio engineer.
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